It’s one of the best wide-angle lens for most Sony photographers and videographers. This can be too difficult for most beginner photographers to figure out on their own. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. Will never regret. They are also compatible with Hasselblad E-mount cameras. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. Rokinon/Samyang/Bower E-Mount APS-C Lenses Rokinon, Samyang and Bower offer manual focus E-mount lenses designed for Mirrorless APS-C cameras. Lightweight, compact, good image quality: all things everyday people want in a lens. This allows the company to manufacture more compact imaging devices while maintaining compatibility with 35mm sensors. Often times it’s just a matter of what you want to take great photographs. So, without further ado, here are the best Sony lenses. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. Canon TS-E 24mm II with Metabones to Sony FE mount. On a full frame camera, 35mm is incredibly versatile. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. The additional e-mount lens will allow you to get the best out of your Sony camera. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. The size and weight balances nicely on the Sony a6XXX series bodies. 1. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. Filter … Will Sony FE lenses work on a6000, a6300, a6400 & a6500 bodies? The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! So what are you getting for your money? 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. 35mm equivalent: 15-27mm. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. However, it’s still not quite as good as the Sony GM version :-). From there the sky is the limit. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). It can really help new photographer build the skills they need to improve. Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. Highly recommended! Carl Zeiss 135mm f/2 APO-Sonnar for Canon EOS with Metabones to Sony FE mount. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. Based on the past few months I’ve had testing a selection of the lenses, these are the ones that I’ve chosen as a solid base for any Sony full frame or cropped sensor e-mount camera owner. By: Fotasy. The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras. Type: Prime Wide-Angle. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. Luckily those are the two biggest problems with it. You can see the latest price of this Sony mid-range zoom lens here. The lens, however, is good for far shots of people. The list above will help you buy the best Sony e-mount mirrorless lenses this year. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. by James Madison. If you own a full frame Sony body (lucky you! … I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! Bokeh produced by the 35mm f/1.4 is simply amazing. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. It’s an all-out portrait lens for the full-frame camera. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. Very ideal for sports or nature shooting, the Sony FE 16-35mm G Master has to make this list for this obvious reason. The barrel is made from sturdy plastic, and the mount and filter thread are metal. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. Copyright © 2019 Sweet Memory Studio – Sweet Memory Studio helps photographers and most people find the best cameras, photography gears, accessories, and digital electronics and gadgets. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. Shop Best Buy for Sony E-mount lenses to find a variety of photography lenses for your E-mount camera. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. This may be the kind of lens you’d want to buy if you weren’t interested in professional photography. I prefer to assign the camera’s command dial to control aperture, but for fans of rangefinders or video shooters, using your other hand to adjust aperture can be convenient. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. It could be the only lens you ever need. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Well, this Sony 85mm f/1.8 was the third lens I settled on. Various third-party lens manufacturers have released the following lenses for Sony E-mount cameras since 2010. It’s lack of zoom forces people to really get close to get composed shots. What is the ultimate Sony FE (full-frame, E-mount) Macro lens? If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. 680 g. If you’re looking for the best wide angle zoom lens available for Sony full frame mirrorless cameras, look no further than the Sony 16-35mm f/2.8 GM. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. The prime lens we recommend as a first purchase for E-mount shooters is the Sony E 35mm f/1.8 OSS lens. I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! Most people would want a lighter lens than this. The maximum that the lens aperture can open up to is f/1.8. With internal focussing, the front element of the lens does not rotate and the overall length of the lens does not change during focus. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). (If there was an f/1.8 35mm, I would’ve got that too!). Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. It’s a pricey beast of a lens, but it could be the only lens you ever need. I find that many Sony full frame camera owners also own crop sensor compact cameras too. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. 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